CRITICAL REVIEWS, INTERVIEWS, TESTIMONIALS

mclennan, rob. Interview about Eight Track, periodicities, May 17, 2021.

Thran, Nick. Review of Eight Track, Event, August 27, 2020.

du Plessis, Klara. "Inside the Choral Voice" feature review of Eight Track, Montreal Review of Books, Summer 2020.

Garlick, Dean. "Death Becomes Us" review of The Neptune Room, Montreal Review of Books, Summer 2020.

Bisson, Cole. "Death at the Smallest Level" review of The Neptune Room, White Wall Review, August 3, 2020.

Wiesenthal, Christine. Review of Eight Track, Alberta Views, June 1, 2020.

Mezei, Kathy. Review of The Faerie Devouring, Event 48/2, December 9, 2019.

mclennan, rob. reads Eight Track, rob mclennan's blog, November 19, 2019.

Bradley, Helen Chau. "Unwieldy Bodies" Montreal Review of Books, Spring 2019.

P.T. Smith. "The Faerie Devouring by Catherine Lalonde" Three Percent, February 28, 2019.

Excerpt from "Tracking Animal" won Second Place for the 2018 3Macs carte blanche Prize, November 20, 2018.

Bowering, George. "Poly Oana Craquer" Ottawa Poetry Newsletter, September 10, 2018.

Van Koeverden, Jane. "How Oana Avasilichioaei translated Readopolis and won a Governor General's Literary Award" CBC. November 28, 2017.

Van Koeverden, Jane. "Why translator Oana Avasilichioaei believes language is 'alive and creaturely'" CBC. November 22, 2017.

Chaffee, Jessie. “The Translator Relay: Oana Avasilichioaei” Interview, Words Without Borders, September 27, 2017.

Character Study: ReadopolisAll Lit Up, July 13, 2017.

Beattie, Steven W. review of Readopolis, Quill & Quire, July 2017.

Garlick, Dean. “A Reader’s Fantasy” review of Readopolis, The Montreal Review of Books, Summer 2017.

Review of Readopolis, Publisher’s Weekly, July 31, 2017.

Moure, Erín, Review of Readopolis, Tarpaulin Sky, July 2017.

mclennan, rob. Interview, Touch the Donkey 69, Jan 4, 2017.

Earl, Amanda. review of Limbinal, The Literary Blog of Amanda Earl, December 11, 2015.

Moure, Erín. "Limbinal and its Performances: An Interview with Oana Avasilichioaei" The Puritan, Issue 30, Summer 2015.

Almon, Bert. "Realms of Gold" review of Limbinal, Montreal Review of Books, Summer 2015.

Roberts, Duffy. "Thoughtful Generosity" review of We, Beasts, Canadian Literature, August 2015.

Colbert, Jade. review of The Thought House of Philippa, The Globe & Mail, July 10, 2015.

Orthofer, M.A. review of The Thought House of Philippa, The Complete Review, June 18, 2015.

mclennan, rob. review of Limbinal, rob mclennan's blog, May 23, 2015.

Bowering, George. "Poetry Primer #16" on We, Beasts, All Lit Up, April 30, 2015.

Du Plessis, Klara. review of Universal Bureau of Copyrights, Matrix, January 18, 2015.

Gardner, Calum. “Cabinet of Curiosity: Daniel Canty’s Wigrum,” Glasgow Review of Books, December 10, 2013.

Smith, P. T. review of Wigrum, Three Percent, 2013.

mclennan, rob. review of We, Beasts, Arc Poetry Magazine, November 15, 2012.

Collis, Stephen. commentary on We, Beasts, Jacket2, July 18, 2012.

Douglas, Barbour. review of We, Beasts, Eclectic Ruckus, July 12, 2012.

Ball, Jonathan. review of We, Beasts, Winnipeg Free Press, June 23, 2012.

Stewart, Christine. “Awash in Linguistic (and Intestinal) Doubt,” review of Expeditions of a Chimæra, Canadian Literature, December 15, 2011.

Costa, Cris. “‘The Lore of Four’ is a ‘Copious Leaping’: Transnational Translation and the Visceral Vernacular, Oana Avasilichioaei and Erín Moure’s Expeditions of a Chimæra,” The Poetic Front, Vol 3, 2010.

Turner, Jacqueline. “The city as poem: Little Hunger, Feria, and Nightmarker,” Straight.Com, February 12, 2009.

Carey, Barbara. “West Coast settings power new poetry from Tim Bowling and Oana Avasilichioaei," The Toronto Star, February 10, 2009.

Au cours des dernières années, Oana Avasilichioaei a collaboré avec nous à titre de traductrice pigiste sur plusieurs dossiers. Sa rigueur, la qualité de son travail ainsi que son professionnalisme font d’elle une collaboratrice appliquée et minutieuse. Son expertise dans le domaine et sa volonté à se perfectionner sont un atout très important dans ce milieu.

— André Thérien, President, Services d’édition Danielle Guy, November 2013

Oana Avasilichioaei is a fantastic editor. I think the first book can be a daunting exercise for any author and having an opinion you can trust is invaluable. Oana provided really crucial feedback and reflection when I needed it most.

David Usher, musician, writer and technology developer, February 2014

Oana Avasilichioaei’s editing skills have been critical to my four most recent books of poetry—O Resplandor, The Unmemntioable, as well as Kapusta and Insecession now in progress—and to many recent essays. I’d seek her out first for any editorial work. She has an uncanny capacity to see weaknesses in structures of a book, a section, an article, along with an ability to see and communicate ideas for work and change, while not derailing the project from what you want it to be. And she never lets you off the hook; she really works to support you to make the work reach its maximum potential. Unequivocally recommended!

Erín Moure, poet and translator, May 2013

Oana Avasilichioaei is a wonderful instructor with a keen gift of sharing her art in a very nonchalant manner, hence making it look easily do-able when it is definitely not.

Mary Ann Davis, workshop participant, April 2012

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